The 2020 FMI Senior Showcase is very much still on, albeit virtually! Tune in to our YouTube channel on Tuesday, May 12, at 7pm, to see what films our students have managed to complete in the midst of a global pandemic. [poster designed by Graphic Design major Hannah Ione Steier]
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Film and Moving Image News
The results are in! Last night, May 1, we screened (virtually, via a live broadcast on YouTube) the films nominated for the 2020 FMI Awards. Many thanks to the FMI Club and our three outside judges – Sandie Angulo Chen, Eddie Pasa and Brian Roan – for the hard work they did making the show possible. And many thanks to Sony for supplying all the prizes! You can now see all 15 nominees on our Vimeo site.
Just three films produced all 8 awards. Here is the complete list:
- Best Picture: Crouch (Bryan Auman, producer)
- Best Directors: Tyler Albizo, Nick Hawdon and Camden Praisner (Crouch)
- Best Actor: Camden Praisner (Crouch)
- Best Actress: Melina Madara (Marge Noir)
- Best Narrative: Marge Noir (Melina Madara, director)
- Best Cinematography: Bryan Auman (Crouch)
- Best Editing: Tyler Albizo, Nick Hawdon and Camden Praisner (Crouch)
- Best Documentary: Baltimore Creative (Wayne Banga, director)
The annual Film & Moving Image (FMI) Senior Showcase features capstone work from the graduating majors. Students work as writers, directors, producers, cinematographers, editors and more. Before we screen the films, however, we always like to offer up a preview of these wonderful coming attractions, via the specially designed posters for each film. Normally, these posters would be displayed in the gallery space of the School of Design, but this year we present them virtually. Click on the above image to be taken to our Vimeo site to watch a short video of all the posters, or click on the thumbnails, below, to see each image in higher resolution. The actual showcase, itself, will take place on Tuesday, May 12, starting at 7, screened live on our YouTube channel (playlist will be activated just before the livestream). So mark your calendars for a night of great cinema!
Death by Misadventure B-Manifesto (Dustin Acevedo, director)
During the journey of trying to make a b-movie action feature, we are led on a documentary of the behind the scenes process.
The Body Disposers (Dylan Borcherding, director)
Caleb and Lloyd discover that the body they’re disposing of is actually alive and that they’re now being chased by a corporate businessman.
Colour Blocked (Shomari Fortson, director)
Three artists of different mediums all struggle to receive criticism on their respective crafts, resulting in creative shifts within themselves.
Trick or Bleat (Evan Gloyd/Jimmy McDonald, directors)
Gabrielle has just moved into a quiet, suburban neighborhood in Maryland when she is forced to confront a violent, masked intruder, who bears an eerie resemblance to the local legend of Goatman.
Kingdom of One (William Johnston/Robert Morison III, directors)
Nolan, a soon-to-be father of two, finds his life turned upside down when he realizes his reality isn’t really real.
The Perfect Student Film (Jarred King, director)
A film student is hounded by a supernatural being who is attempting to make his life the “perfect film” in order to teach him how to be a great director.
Moth's Lullaby (Zoe Maliszewskyj, director)
Single mother Eve is plagued by harmful moth-like creatures and hires Myrtle, a professional in otherworldly pests to get to the bottom of this. What could Eve's strained relationship with her daughter, Rosie, have to do with it?
Forgive Thy Angel (Jaclyn Mayne, director)
An angel named Alan thinks God is too forgiving. God tells him to go to Earth and convince a teenager to pray for forgiveness within one week.
The Madness in the Grooves (Dylan Mehring, director)
Clark, a record-store owner, begins to see visions of a world beyond human comprehension when he listens to a record he recently purchased. He and his friend Justin must figure out the meaning of its powers as Clark loses grip with reality and descends into the record’s horrifying world.
Salad Days (Jenna Miller, director)
Salad Days is an experimental film that takes a close and intimate look at growth within one’s childhood, examining distant memories which expose both the good and bad emotions of growing up.
Surround Sound (Erin Orwig, director)
A short drama following a young high school student, Charlie, who—after her headphones break—is forced to confront cheating. She is challenged to choose if ignorance is truly bliss and to determine what is worth standing up for.
Alang and David (Mark Perry, director)
A short documentary about Alang, a medical worker who frequently returns to his community in Africa's Cameroon to give aid, and his relationships with his patients.
A Doll's World (Mariam Salahvarzi, director)
A short narrative film that follows a young woman, Margret, through her daily routine. As the film progresses, her routine has slight changes that are out of norm. It is later revealed that Margret is living in the imagination of a young girl, Sarah, and her dollhouse.
The First Inning: No Gloves, No Problem (Allie Sheedy, director)
Everyone knows what modern-day baseball is like, but what was late 1800’s baseball like? What were the uniforms like, or the rules? In Vintage Baseball, we answer that for you by looking into a league that still plays the all-American game using 1800’s rules!
A Soldier’s Pain (John Travers, director)
A retired Army Veteran experiences PTSD over the death of his fellow soldiers. With the help of therapy, and the support of his wife, he must learn to let go of his guilt
An Acquired Taste (Lexxiana Zollicoffer, director)
Violet moves to a new town and joins a book club in hopes of meeting new people but is forced to relive her dark past as she learns that the club is not what it seems.
The annual FMI Awards – popularly known simply as “The FMIs” – are Stevenson’s answer to the Oscars! Come join us as we screen the films made by Stevenson students over the past year, with prizes given for best acting, directing, screenwriting, cinematography, editing, documentary, and … best picture. The entire glorious affair is organized and managed by Stevenson’s NBS-FMI Club and, as it was last year, sponsored by Sony (which offers wonderful educational discounts for students and faculty). This year, because of the global health pandemic and attendant stay-at-home orders, we are holding the festival virtually, on the department's YouTube channel where, in a special livestream broadcast starting at 7pm on Friday, May 1, we will screen the nominees and present the awards to the winners at this link (to be properly activated at that time).
Movie producers are the power behind the scenes, the ones who make the magic happen … or at the very least give directors the space to make that magic happen. Local producer Capella Fahoome (Don't Stop Believin': Everyman's Journey, Motherland, Notown) has compiled an impressive body of work, especially in the documentary field, having collaborated with local filmmaker Ramona Diaz (a former artist-in-residence) and others. Come join us on Monday, March 9, at 6pm in the School of Design soundstage, as Capella explains what drives her and how you, too, can learn the secrets of cinematic enchantment, in a presentation she calls “The Outsiders Guide to Filmmaking ... and Life in General (or Exploring a Path for the Rest of Us).” The event is free and open to all.
Beyond her Monday night presentation, Capella will be on the ground with Stevenson Film & Moving Image students from that Monday morning through Wednesday afternoon.
[poster designed by Stevenson GDES student Rebecca Doyle]