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Film and Moving Image News

Keyword: fmi

Capella 2020

Movie producers are the power behind the scenes, the ones who make the magic happen … or at the very least give directors the space to make that magic happen. Local producer Capella Fahoome (Don't Stop Believin': Everyman's JourneyMotherland, Notown) has compiled an impressive body of work, especially in the documentary field, having collaborated with local filmmaker Ramona Diaz (a former artist-in-residence) and others. Come join us on Monday, March 9, at 6pm in the School of Design soundstage, as Capella explains what drives her and how you, too, can learn the secrets of cinematic enchantment, in a presentation she calls “The Outsiders Guide to Filmmaking ... and Life in General (or Exploring a Path for the Rest of Us).” The event is free and open to all.

Beyond her Monday night presentation, Capella will be on the ground with Stevenson Film & Moving Image students from that Monday morning through Wednesday afternoon.

[poster designed by Stevenson GDES student Rebecca Doyle]

STEVIE U 72 2019 PHOTO

On Friday, November 8, 2019, the Department of Film & Moving Image screened the films made during the previous weekend's Stevie U 72 (a 72-hour film festival). The three judges – Stevenson University President Elliot Hirshman, Towson University Professor Jena Richardson and Howard Community College Professor Anthony Hoos – chose three winners, and the audience voted on their favorite, as well. Here is the list of winners, the films of which can be seen on our Vimeo site:

  • 1st Place: Torrey Dolan
  • 2nd Place: Tyler Albizo, Bryan Auman, Nick Hawdon, Kayla Moore and Camden Praisner
  • 3rd Place: Zoe Maliszewskyj
  • Audience Award: Torrey Dolan

The grand prize was an EOS Rebel T6i EF-S 18-55mm from our sponsor, Canon USA. Thanks, Canon! And thanks to the judges and all who participated.

Stevie U 72 2019

Come one, come all, to the November 8 screening (at 7pm, with reception at 6pm), in our Soundstage (SD101) in the School of Design, of the films that will be made this weekend as part of Stevie U 72, our annual 72-Hour Film Festival, run by the FMI Club. Canon is once again the sponsor of the event, offering us a lovely T6i camera as the grand prize. Student filmmakers work not only under the time pressure of writing, filming and editing a film in just three days, but are also given restrictions of genre, props and dialogue. It should be a great show, presided over by a three-judge panel that includes Stevenson University's President, Elliot Hirshman.

FMI 2019 Showcase

Please join us at this year's showcase of student films from the senior class. All info in poster, above (designed by GDES major Hailey Guit). Free for all!

Alex Bickel

What is color correction? In today's world of digital cinematography, it is an ever-more important process of refining the on-screen image in post-production, creating the final look of the movie before release. Colorists, working closely with directors and cinematographers, perfect the image of the film, an image that these days is shot with an eye towards exactly this collaboration. Enter Alex Bickel, who has forged quite the career in this area, working on projects that include such recent masterpieces as The Big Sick, Moonlight, Lady Bird, Private Life, The Old Man & the Gun, Mid90s, If Beale Street Could Talkand Hold the Dark, among many others. Join us as Alex presents Jonah Hill's directorial debut, Mid90s, and discusses his career.

 
 
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